Dir: Larry Charles
"We have chosen your baby to be dressed as a Nazi Officer, pushing a wheelbarrow, with a Jewish baby, into an oven"
The films plays out much like Borat. It has an overall fictional narrative that facilitates the segments that otherwise would seem very fragmented. The narrative is fairly weak, even compared to Borat, which wouldn’t necessarily be a problem, if the ‘real’ segments were a) funnier or b) more frequent. There are very few scenes that are not staged, and from which the jokes are derived from real person’s reactions to Brüno. This is a problem.
The best stuff in the film is scenes where Brüno gives his subjects just enough rope with which to hang themselves, as opposed to the majority of the film where Brüno makes jokes, or puts himself in a compromising position. Examples of the former: the answers Brüno gets when he speaks to the twin celebrities and asks them what charities are hot right now. Examples of the latter: when Brüno confuses ‘hummus’ and ‘Hamas’ when speaking with the religious readers in the Middle East.
I prefer the comedy to come from the situations where Brüno elicits a response from people that reveals how shallow, racist and bigoted they really are; something the “Borat” had in spades. But unfortunately, the majority of gags in this film came from Brüno acting flamboyant and obnoxious and people looking at him funny. His targets in the film are easy, religion, fashion, homophobes, which, again, isn’t necessarily a problem, but it becomes a weak point of the film when he does nothing funny or interesting with it. For example, when Brüno is tied to his assistant Lutz in a suggestive position, while they are both wearing leather and chains etc, they encounter a procession of religious people protesting against homosexuals. All that happens is they ask the protestors to untie them. The protesters react the way anyone would and bat them out of their way. Any protestors would have done that. It didn’t matter that they were protesting homosexuality. I found many scenes in the film just as uninspired as the one I just described.
Brüno elicits very standard and easy reactions from people, that don’t really say anything about the subject. Like when he tries to seduce a senator in his bedroom. Due to a technical difficulty, the senator’s interview stopped and Brüno entertains him in his bedroom, where he proceeds to flirt with him. The senator’s reaction is to get out of the room and declare the interview over. This is a fairly standard reaction to someone as unprofessional as the character of Brüno.
Ultimately comedy comes down to the amount of laughs had, and in “Brüno” I had very few; and that’s this film’s biggest crime.
Top 5 Things About "Brüno"
5. The screaming Hasidic Jews chasing Brüno.
4. LaToya Jackson sitting on a Mexican worker while talking about charity.
3. Brüno's baby.
2. The cage match.
1. Scene with the parents at the baby photography place.
5/10
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